I’m immensely excited and proud to announce that the special issue I co-edited with Elsa Richardson and Jane Mackelworth was published last week!
The special issue was initially based on the Constance Maynard Symposium we hosted at Queen Mary, University of London (QMUL) with QMUL Archives and the QMUL Centre for the History of Emotions, to mark the completion of the digitisation of Constance Maynard’s autobiographical writings. Maynard’s diaries and unpublished biography provide fascinating material for historians of women’s sexuality; she wrote in detail about her relationships with other women teachers and students. The symposium therefore did not solely focus on Maynard, but considered the wider question of how love is related to history, culture and religion. It also encouraged interdisciplinarity, through welcoming how the approaches of art history, literary studies, architecture studies and life writing could all contribute to understanding Maynard and the history of women’s sexuality.
When it came to editing a special issue for Women’s History Review we wanted to retain this wider focus and interdisciplinary approach.
The special issue starts with an introduction providing: an introduction to Constance Maynard, considering how she was both exceptional and representative of women of her time and background; a summary of the symposium; and a survey of directions women’s history has taken concerning women’s understanding of their sexuality and sexual identities through the nineteenth and twentieth centuries.
Part 1 of the special issue includes articles that touch directly on Maynard’s life and writings. Pauline Phipps’s article reflects on her experience writing the biography of Constance Maynard (available to buy here).
My article then discusses the representations of women’s intimate relationships in religious literature of Maynard’s time, and how Maynard wrote about her relationships with women using the tropes of this culture. In her article, Naomi Lloyd continues this consideration of how Maynard’s religion interacted with her sexuality, but adds a discussion of how colonialist discourses of space also helped to shape Constance Maynard’s erotic imagination. Elisabeth Jay’s article then considers how an appreciation of the genre of spiritual autobiography can add to our understanding of Maynard’s life writing.
Lorraine Screene, the archivist responsible for the digitisation of Maynard’s writings, contributes an article that considers how archival materials can reveal the interaction of religion and education at Westfield College. And Lisa C. Robertson’s article explores how architecture and other structures challenged the domestic model of the college and impacted women students’ experiences.
Part 2 includes articles that extend discussion of the themes of the special issue into the twentieth century, and includes both a review essay and a reflective essay on these themes.
The section starts with an open-access article by Lesley Hall, which examines the cultural representations of women’s friendship in the early twentieth century, identifying a complex interplay between the tropes of female friendship represented in literature, letters, life writing, and also in sexological, medical and psychological texts by women.
Alison Twells’s article develops a new method for reading the ‘ordinary diary’ as she finds evidence of the formation and expression of heterosexual desire in a woman’s Second-World-War diary.
Our review essay, by Elsa Richardson, considers Laura Doan’s recent book Disturbing Practices (available to buy here), how it develops her influential work on the history of women’s sexuality, and how it might inform readings of the Maynard archive.
Finally, our reflective essay, provided by Carol Mavor, demonstrates how poetic interpretations of nineteenth-century art and photography might enable different strategies for women’s historians to get closer to the experience of a given culture’s narratives and values.
You can access the special issue here (to gain access to the full text versions of most of the articles you will need your library to have subscribed to Women’s History Review).
You can access (limited) printable copies of my article here.
And (limited) printable copies of the introduction, co-authored by Jane Mackelworth, Elsa Richardson and myself, here.